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Day four: marking the VIPs in your email

Part 04 of 8

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The check took forty seconds again this morning, and the pass down the feed went quicker than yesterday’s, because you have stopped bracing before each line. What is left of the hour is the half hour this fortnight has been holding back for, and it is the first time you will tell Point something rather than watch what it decided.

Yesterday finished with a piece of paper. Not subjects and not topics: names, written down without any thought at all, because names are how you have always known which conversation is which. The list of people whose mail you cannot afford to miss has been running your business for years, and it has never once existed anywhere except your own head.

Today it gets written down and entered. The entering takes about ten minutes. The writing down takes the other twenty and is worth every one of them, because a list drawn badly is worth less than no list. What a star does to the ranking, who belongs on one and what it cannot reach are all in VIP mail that never gets buried. This page is the half hour itself, in the order it goes, and the one thing today cannot give you, which is any evidence by tomorrow morning.

Write the list before you open the screen

Paper first. The contact list in Point comes second, and the order changes the answer more than it has any right to.

A screen full of names you recognise is a persuasive document. Look at it before you have decided anything and you stop writing your list and start editing somebody else’s, agreeing and disagreeing with what is in front of you rather than asking who is missing. You will star the familiar ones because they are there to be starred, and the ones you sat down to protect are precisely the ones that will not be on the screen to remind you. It is the same discipline that kept you off the autonomy dial on Monday, applied to a gentler screen: decide first, then go and look.

The question that produces a usable list is narrower than the one people ask themselves. Not who matters, because everyone you work with matters and that is why you work with them. The question is whose message, left sitting for three days while you got on with something reasonable, would cost you something you cannot buy back. That has a shape you can check against: money that goes away, a deadline that cannot be moved afterwards, or work you will simply not be offered a second time.

Then read the names off something rather than out of memory. Memory hands you the people you dealt with this week, which is the one group that needs no help at all. Three places between them hold the real answer:

  • Yesterday’s paper. The threads you opened despite a perfectly good summary. You already ran this test on yourself without meaning to.
  • Who has paid you, and who is about to. The last few invoices out and the next few in. Consequence is easier to see in an invoice than in a feeling.
  • The last quarter of your calendar. Anyone you gave an hour of your working day to was worth an hour of your working day.

Anything that turns up in two of the three is on the list. Expect somewhere between six and a dozen names. If you are past twenty, you have quietly answered a different question, and what a long list costs you is the part of the VIP guide worth reading before you go further.

The names your history cannot see

Three mornings of watching have earned you something you can now spend.

The ranking already knows your regulars. It got them right on Tuesday and Wednesday without being told anything, because who you answer fastest and who you have written to longest are both sitting in eleven years of mail, and they are a reasonable guess at who matters. So a star on the client you email twice a day is mostly a vote for a candidate who has already won. It is not wrong. It is just not where your half hour pays.

The star is worth most where there is nothing to infer from. So go down your list and write beside each name, roughly, how many messages the two of you have exchanged in the last year. Do not tidy the number. The small ones are the entries doing the work:

  • The introducer who writes twice a year, and each time it is worth a quarter of your income.
  • The client you are mid-pitch with, who was a complete stranger in June and is the largest thing on your desk in August.
  • The bank, the insurer, the regulator, the landlord. You hear from them rarely and usually only once something is already running against a clock.
  • Whoever covers for you when you are away, who has no reason to write to you at all until the week when they must.

That is close to the opposite of how the list wants to write itself. The instinct is to star the people you think about most, and the people you think about most are the people you exchange the most mail with, and those are exactly the ones a ranking built on history has already found. The names carrying their weight here are the thin ones. AI email triage, and whether you can trust it sets out how much of that gap a reader of the message alone can close. A star closes another piece of it by hand, in advance, using knowledge that was never in the mail to begin with.

There is one thing at the far end of that which no list reaches, and it is better to know it now than to find it out in October. Somebody who has never written to you cannot be on a list of people you correspond with. The first email from a regulator you have never dealt with, the enquiry from a solicitor who was handed your name last week: those have to be caught by a ranking that reads the message and forms a view whether or not it knows the sender, which is how email triage works rather than anything you can set today. Your list is one input on top of that. It is a good one, and it is not the system.

Ten minutes on the contact list

Now open contacts in Point, where everybody you deal with has been sitting since Monday.

They arrived with the mailbox, and the duplicates that accumulate over a decade were merged on the way in, so the client who writes from a phone, an office address and something ending in gmail.com is one person here rather than three. That matters more today than it did when you connected. The star goes on the person, so it holds wherever they happen to write from, including the address they have not used yet.

One star against each name on your paper. That is the whole operation, and if it takes longer than ten minutes you are doing something other than the operation.

Two things worth not doing while you are in there. The first is ranking. There is no second tier and you should not build one in your head, because a list with degrees of importance in it is just the ranking you already had, rewritten smaller and by hand. A name is either on the list or it is not.

The second is undoing Tuesday. You starred one person on the second morning, the one whose message had gone somewhere you would not have looked, and if that name is not on today’s paper the temptation is to tidy it away. Leave it. That star was set on evidence, on a specific morning, about a specific message that went astray, and evidence of that kind is worth more than a list you wrote from three sources on a Thursday.

Then set your expectations for tomorrow, because this is where people misread the result. The feed will not start shouting. A star raises how much a message matters, not how quickly it needs answering, so an ordinary note from a starred client lands at the top of what can wait, marked as mattering, rather than being pushed in front of the thing you were doing. Why important and urgent are not the same is the reasoning underneath that, and it is the difference between reading Friday morning as a success or as a failure.

Two smaller cases, if either is yours. If you connected a second business on Monday, treat it as a second list rather than a longer one, because the people who can create a deadline for one of them usually have no standing at all in the other, and keeping two businesses apart is what that separation covers. And if somebody else works the same mail, the marks are personal to whoever sets them, so the list is worth agreeing out loud across the desk before you each enter your own. Covering for each other is what happens on the week only one of you is there to read it.

Nothing happens tomorrow

This is the honest part, and it is the reason this day sits awkwardly in a fortnight of measuring.

Every change so far has paid out by the next morning. You connected on Monday and the feed was sorted on Tuesday. You corrected a summary on Wednesday and the next one from that sender came back the new way. Today you will change something real and see nothing at all, and the reason is written into the list you just made: you deliberately filled it with people who write rarely. Half those names may send you nothing for a month.

So there will be nothing to check on Friday, and a day with no feedback in it produces a specific temptation, which is to go and change something else so that there is something to watch. Resist it in the usual place. The dial has not moved since Monday and today is not the day, because nothing you did this morning tells you anything about filing, drafting or scheduling, and setting how much your inbox does on its own deserves a decision of its own rather than a mood. Today’s change is the whole of today’s change.

What you are waiting for is a small and thoroughly unspectacular event, and it is worth knowing its shape so that you recognise it when it turns up. Something ordinary from one of those names, on a day that is already busy. Photos from a site visit with no question in them. A two line thank-you with one sentence at the end about next year. Under the old arrangement those went under, and they went under while you were doing something entirely reasonable, which is what makes them so hard to notice losing. Under this one they sit at the top of what can wait, with your judgment attached to them, until you get there. Most of what makes that morning good will have nothing to do with your list, and the whole of what Point does is the rest of it.

Two housekeeping notes before the paper goes in a drawer.

Copy the names onto whatever you wrote Tuesday’s two numbers on, with today’s date beside them. In ten days you will want to know what you told it and when, and that is the difference between a fortnight you can account for and a feeling that things seem better.

And put a date in the diary for the end of the quarter to read the list again. No name ever comes off on its own, so a star set for one large job in the spring is still doing its work at Christmas, and the list will not be the thing that tells you which of its names have gone quiet.

Read the list one more time

Before it goes away, look at the names again and ask what they have in common, other than mattering.

It is not how often they write, because you chose half of them for writing rarely. It is not what they are worth, because the bank is on there and the bank pays you nothing. What every one of them has in common is that you would never fire off two lines to any of them. You draft their replies in your head on the walk back from the car. You write, reread, change a word, and reread it again before it goes.

Which is where the morning actually goes now. Not finding the mail, which took forty seconds. Not ranking it, which was done before you sat down. Not working out what is in it, which was a line you read and believed. The time that is left is writing back, and it is concentrated almost entirely in the names you just starred, because careful replies are slow, and slow replies get put down, and the ones you put down are the ones this whole list exists to keep in view. That is a circle, and no amount of better sorting gets you out of it.

Tomorrow you open one of those threads and there is already a reply sitting in it, written by something that has read eleven years of your mail and is doing its level best to sound like you. It is waiting for you rather than gone, because you left every setting where you found it on Monday.

It is a stranger thing to be handed than a sorted inbox, and the first one in this fortnight you will want to argue with sentence by sentence.

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